Fela Anikulapo Kuti (15 October 1938 – 2 August 1997) was a Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre and Pan-Africanist. At the height of his popularity, he was referred to as one of Africa's most 'challenging and charismatic music performers'. FELA KUTI & AFRICA 70 Expensive shit LP - Nigeria 1975 A.C.A.B. Afrobeat part 2 Download The title of the album refers to an incident in which the Nigerian police tried to arrest Fela Kuti by planting a marijuana joint on him. Kuti managed to eat the joint, prompting police to bring him into custody and wait for him to produce the excrement. 'Fela Kuti was the Nigerian born purveyor of funky tribal beats which continue to shake the world's foundations. A recent casualty of the AIDS virus ravaging all of Africa, Kuti lived and played hard. Like Bob Marley, his music had strong consciousness raising power mixed into its heavy afro-funk rhythms. In 1981 Fela changed the group's name for the last time to Egypt 80. He was known as Fela Ransome-Kuti until about 1978, when he renamed himself Fela Anikulapo Kuti, the middle name meaning 'he who carries death in his pouch'.
Fela Kuti Religion
Live! | ||||
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Live album by Fela Ransome-Kuti and The Africa '70 with Ginger Baker | ||||
Released | August 30, 1971 (LP) June 13, 2001 (CD) | |||
Recorded | Early 1971-1978 | |||
Genre | Afrobeat | |||
Length | 46:50 | |||
Label | Regal Zonophone[1] Barclay/Universal Records (CD) | |||
Producer | Jeff Jarratt | |||
Fela Ransome-Kuti and The Africa '70 with Ginger Baker chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
Live! is an album recorded in 1971 by Fela Kuti's band Africa '70, with the addition of former Cream drummer Ginger Baker on two songs. It was released in 1971 by EMI in Africa and Europe and by Capitol/EMI in the United States and Canada. It was reissued on CD by Celluloid in 1987 and was reissued on CD in remastered form by Barclay with a bonus track from 1978.
Baker travelled with Kuti into Africa in a Land Rover to learn about the continent's rhythms, as documented in Tony Palmer's film Ginger Baker in Africa (1971). The bonus track on the Barclay CD reissue features a 16-minute drum duet between Baker and Africa '70's drummer Tony Allen recorded at the 1978 Berlin Jazz Festival. The album is on Rolling Stone's list of the 50 greatest live albums of all time.[3] The album is also included in Robert Dimery's 1001 Albums You Must Hear Before You Die.[4]
Track listing[edit]
All songs by Fela Ransome-Kuti, except where noted.
- 'Let's Start' - 8:06
- 'Black Man's Cry' - 12:12
- 'Ye Ye De Smell' - 13:55
- 'Egbe Mi O (Carry Me I Want to Die)' - 12:37
![Fela kuti shakara rar Fela kuti shakara rar](https://iciap2007.org/images/225/fela-kuti-confusion.jpg)
Bonus track:
Fela Kuti Army Arrangement
- 'Ginger Baker and Tony Allen Drum Solo' - live 1978 (Fela Kuti, Ginger Baker, Tony Allen) - 16:21
Personnel[edit]
- Fela Kuti: Hammond organ, percussion, vocals.
- Ginger Baker: Drums, percussion, African drums, congas, vocals.[5]
- Tunde Williams: Trumpet.
- Eddie Faychum: Trumpet.
- Igo Chiko: Tenor saxophone.
- Lekan Animashaun: Baritone saxophone.
- Peter Animashaun: Guitars.
- Maurice Ekpo: Double bass, electric bass guitar.
- Tony Allen: Drums, percussion.
- Henry Koffi: Percussion.
- Friday Jumbo: Percussion.
- Akwesi Korranting: Percussion.
- Tony Abayomi: Percussion.
- Isaac Olaleye: Percussion.
References[edit]
- ^Thompson, Dave (December 11, 2001). 'Funk'. Hal Leonard Corporation – via Google Books.
- ^Thom Jurek, Richie Unterbeger. Live! at AllMusic
- ^Stone, Rolling; Stone, Rolling (April 29, 2015). '50 Greatest Live Albums of All Time'.
- ^Robert Dimery; Michael Lydon (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN978-0-7893-2074-2.
- ^'Ginger Baker, Cream Drummer And Force Of Nature, Dies At 80'. NPR.org.
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Mount and blade warband vassal requirements. Today marks 16 years since the death of one of the giants of African history. On a musical level, Fela Kuti founded Afrobeat, the continent’s first style it could truly call its own, free from the influences and controls of western culture. It was much more than this though, growing into a political and social movement not just in Fela’s native Nigeria but across the continent. His music had – and still has – a unique ability to inspire, teach, entertain and move, physically and emotionally.
Built on a British education in jazz, his rhythms oozed funk and energy, but retained a distinctly African sound. The message never strayed from one that preached freedom and pan-Africanism, and through his lyrics, Fela tirelessly campaigned against the Nigerian politicians who sought to deny both. His nightclub, The Shrine, became a bastion for personal, religious, political and social emancipation. Equally as important, it provided an escape through entertainment, inside the oppressive existence of 1970s Nigeria. It’s testament to the courage of Fela’s convictions that, despite decades of the most violent intimidation – including the death of his mother, shortly after being thrown out the window of his home – it was not his oppressors who killed him, but a tumour brought on by AIDS.
Nearly two decades after his death, his importance to Africa remains as big as it ever was, but his influence on western culture also continues to grow. Not only because of the success of the eponymous Broadway musical, or with the growing excitement of a Steve McQueen-produced biopic. But also because of the increasingly prominent role that African sounds are playing in western underground music. The musicians that were inspired by his values and music may not compare on a political level, but as a strong proponent of music’s ability to affect human emotions and behaviour, there’s no doubt that Fela himself would be proud of how his influence has produced more creativity.
To mark this impact, we take a look at how contemporary producers have directly interpreted Fela’s material, by picking out our favourite remixes, samples and covers.
1. Fela Kuti – Shakara (Ossie’s Bump Edit)
Where this remix succeeds so well is by bringing Fela’s distinctive rhythm up to date for a UK dancefloor. Not that Fela’s rhythms sound dated in the slightest, but Ossie injects new life while being sensitive to the original.
2. Fela Kuti – Roforofo Fight (Auntie Flo Remix)
The same goes for this remix, by a Glaswegian producer who is propelling himself to the forefront of a UK scene pushing the fusion of African-influenced dance music. While respecting that famous Fela rhythm, hi-hats, saxes and reverb are put on repeat to create a pulsating interpretation, in touch with the modern dancefloor. Download this for free over at Dummy Mag, in an article where Auntie Flo, Gilles Peterson and others discuss the influence of Fela on their musical careers.
And now for something completely different. Ondatrópica, one of Columbia’s foremost ensembles, tackle this 1971 classic with such ease it’s as if they’ve conceived it themselves. The foundations are familiar, but Fela’s Latin transformation takes it to a whole new exciting place. Chop ‘n’ Quench is out now as a single on Soundway Records.
Yeni Kuti Marriage
4. Pete Rock & Ini – Grown Man Sport
Fela’s universal appeal stretches to hip-hop as much as electronic music, as Pete Rock expertly demonstrates. Tamil keyboard app for laptop. He adapts a five second keyboard solo from Water Get No Enemy into another classic beat.
5. Tall Black Guy – Water No Enemy
Just up the road from Pete Rock, in Chicago, another producer has expertly sampled Water Get No Enemy with completely different results. Tall Black Guy samples some keys from earlier in the song to creating a soaring and enchanting slice of instrumental hip-hop. Water No Enemy is taken from Brownswood Bubblers 7, which you can buy on Bandcamp.